| |
Sango Bidani |
A Critical Study of the Cinematic Adaptations of Devdas in the Indian Subcontinent |
Prof. Anuradha Ghosh |
2023 |
| |
Manjeera G |
The Persistence of Dystopian/Utopian Spaces in Popular Imagination: An Analysis of the Apocalypse in Young Adult Dystopia |
Prof. Baran Farooqi |
2023 |
| |
Md. Faizan Moqium |
Aesthetics of Dissonance: A Study of Khalid Jawed’s Art of Fiction |
Prof. Baran Farooqi |
2023 |
| |
Marilyn Thomas |
Clothing and Gender Implications in Shakespearean Drama |
Prof. Baran Farooqi |
2023 |
| |
Indrani Dasgupta |
Social Vision of Science Fiction in Modern India: A Study of Select Texts |
Prof. Nishat Zaidi |
2023 |
| |
Arif Nisar |
Articulating Discontent: A Study of Kashmiri Folklore |
Prof. Baran Farooqi |
2023 |
| |
Anab Naiyer |
Desire and Domesticity: Studying Contemporary Print Culture of Urdu Digests in North India |
Prof. Baran Farooqi |
2023 |
| |
Inderpreet Kaur |
Depiction of Dalits in Contemporary Hindi Cinema |
Prof. Saroj Kumar Mahananda |
2023 |
| |
Anusha Halim |
Ideology, Violence and Resistance in the Fiction of Mohammed Hanif and Nadeem Islam |
Dr. Shubhy Abidi |
2023 |
| |
Shreya Singh |
Revisiting Dalithood in the works of Meena Kandasamy and Sujatha Gidla |
Prof. Saroj Kumar Mahananda |
2023 |
| |
Mirza Sadaf Fatima |
Globalization, Identity and Muslim Woman: A Study of Select Texts of Tehmina Durrani, Leila Abouzeid and Mohja Kahf |
Dr. Ivy K. Hansdak |
2023 |
| |
Disha Pokhriyal |
Women, Writing and Discoveries of a Powerful Self |
Prof. Baran Farooqi |
2023 |
| |
Shabeeh Rahat |
Postcolonialism and Indian English Writing: Text, Context, Theory |
Prof. Ameena K. Ansari |
2023 |
| |
Sombir Sharma |
A Critical Evaluation of Premchand’s Non-Fiction Writings |
Prof. Mukesh Ranjan |
2022 |
| |
Rupleena Bose |
The city Minstrel: Urban Music from Bengal, 1992-2002 |
Prof. Anuradha Ghosh |
2022 |
| |
Mehak Burza |
Literary Representations of the Holocaust: An Assessment |
Prof. Baran Farooqi |
2022 |
| |
Kanika Gandhi |
Writing in Self: The Study of Select English Texts by Pakistani Women |
Dr. Shuby Abidi |
2022 |
| |
Pratibha |
Self and Community in Autobiographical Narratives by Dalit Women in the English Translation |
Dr. Shuby Abidi |
2022 |
| |
Md. Shalim Muktadir Hussain |
The Contribution of Translation to the Shaping of an Assamese Literary Aesthetic |
Prof. Anuradha Ghosh |
2022 |
| |
Nida Eqbal |
Representation of Men and Masculinities in the Works of Ismat Chughtai |
Dr. Asmat Jahan |
2022 |
| |
Mona Sinha |
Imaging Indian Woman in the New Millennium: A Study of Select Hindi Soap Operas and Reality Television |
Prof. Ameena Kazi Ansari |
2022 |
| |
Mohd. Ashraf Bhat |
Satirical Mode in the Post-independence African Novel: A Study of the Selected Works of Chinua Achebe, Ngugi Wa Thiongo and Ayi Kwei Armah |
Prof. Mukesh Ranjan |
2022 |
| |
Sananda Roy |
Adaptation and Ideology: A Study of Rituparno Ghosh’s Films |
Prof. Mohd. Asaduddin |
2022 |
| |
Aisha Mohammad Shamsuddin |
A Study of the Emergence of Superhero in India |
Dr. Asmat Jahan |
2021 |
| |
Ipshita Nath |
The Making of the ‘Memsahib’: Studying Memsahibs of Colonial India, and Their Representation in Postcolonial Literature |
Prof. Nishat Zaidi |
2021 |
| |
Pisharody Rajitha Venugopal |
Presenting ‘An/Other America’: A Study of Select Works by Barbara Kingsolver |
Prof. Ameena Kazi Ansari |
2021 |
| |
Jennifer Monteiro |
Representation of Masculinity and Men in Contemporary Feminist Theatre in India: A Study of Select Indian Women Playwrights |
Prof. Nishat Zaidi |
2021 |
| |
Lama Jamal Eddin Jneidy |
Travelling to Damascus: The Image of the City in Select English Narratives from the Colonial Era |
Prof. Ameena Kazi Ansari |
2021 |
| |
AC Kharingpam |
The Cultural and Literary Impact of the Bible on the Tangkhul Nagas: A Study in Shifting Narrative |
Prof Simi Malhotra |
2021 |
| |
Tasneem Q Khan |
Dissident Narratives: The Complex World of Muslim Protagonist in Popular Hindi Cinema |
Prof M. Asaduddin |
2020 |
| |
Aateka Khan |
A Critical Evaluation of Richard Burton’s Travel Writings |
Dr. Ivy I. Hansdak |
2020 |
| |
Neelam Pandey |
The Problematic of Constructing and Disseminating New Knowledge: Interrogating Publishing Industry and Readership in India |
Prof. Ameena Kazi Ansari (co-supervisor: Prof Anisur Rahman) |
2020 |
| |
Anubhav Pradhan |
Imaging the Subcontinent Colonial Realism and the Ethnographic Writing of British India |
Prof. Baran Farooqi |
2020 |
| |
Ali Rafiei |
Sa’di in English: Translation and Reception |
Prof. M. Asaduddin |
2020 |
| |
Shaifta Ayoub |
History, Culture, Identity and Gender: Kashmir Conflict in Contemporary Texts |
Dr. Asmat Jahan |
2020 |
| |
Mubashir Karim |
Author/Reader Nexus and Metafiction: A Case Study of Select Self-Reflexive Novels |
Prof Nishat Zaidi |
2020 |
| |
Saba Zahoor |
Identity Crisis or Identity in Crisis? Interrogating Subjectivity in Select Writings of Joseph Heller |
Prof Nishat Zaidi |
2020 |
| |
Anamta Rizvi |
Language, Identity and Authority: Canon Formation in Indian Writing in English post-1950 and the Contribution of Writers Workshop, Calcutta |
Prof Nishat Zaidi |
2020 |
| |
Chaandreyi Mukherjee |
Dark Sweethearts: Postmodern Women in Haruki Murakami’s Fiction |
Prof Ameena Kazi Ansari |
2020 |
| |
Shaheen Saba |
Approaches and Strategies of Dastan translation: A Critical Study of Musharraf Ali Farooqi’s Translation of Dastan-e-Amir Hamza |
Prof M. Asaduddin |
2020 |
| |
Samea Haleem |
A Critical Study of Caryl Churchill’s Select Plays |
Prof. Baran Farooqi |
2019 |
| |
Shailendra Kumar Singh |
Conformity and Resistance in the Select Fictions of Premchand |
Prof. M. Asaduddin |
2019 |
| |
Satadru Chatterjee |
License to Frame: Representation of the Political Other in James Bond Novels |
Prof. Simi Malhotra |
2019 |
| |
Mohammad Al Zayed |
From ‘History to Myth’ and ‘Myth to History’: Re/Presenting ‘Resistance’ in Cross-Cultural Modes |
Prof. Anuradha Ghosh |
2019 |
| |
Uttara Bisht |
Suicide of the Author: A Study of the Personal Writings of Virginia Woolf and Sylvia Plath |
Prof. Simi Malhotra |
2019 |
| |
Shiv Kumar |
A Study of Self-Reflexivity in Select Dalit Writings |
Prof. Mukesh Ranjan |
2019 |
| |
Shimi Moni Doley |
Chimera of the Self: African American Female Subjectivities and the Politics of Life Writing |
Dr. Ivy Imogene Hansdak (co-supervisor: Prof Anisur Rahman) |
2019 |
| |
Devika Mehra |
A Study of Transitions and Emergent Trends in Children’s Cinema as a Genre in India |
Prof. Anuradha Ghosh |
2019 |
| |
Shradha Kabra |
Whose “Real is it anyway”? A Study of Indian Reality Television Shows |
Prof. Simi Malhotra |
2019 |
| |
Shabeena Kuttay |
Interrogating the Postcolonial Intellectual, Activist and Writer: A Critical Reading of Arundhati Roy’s Non-Fictional Works |
Prof. Ameena Kazi Ansari |
2018 |
| |
Megha Jain |
Representation of Gender Bias: A Study of Three Indian English Women Playwrights |
Prof. Mukesh Ranjan |
2018 |
| |
Sarfaraz Nawaz |
Shifting Identities in the fiction of Bharati Mukherjee |
Dr. Shuby Abidi |
2018 |
| |
Jigyasa Hasija |
‘Greening’ Films and Feminism: The Environment in Movies through Ecofeminism |
Prof. Baran Farooqi |
2018 |
| |
Sadia Parveen |
Narratives of Resistance: A Study of Select Indian Muslim Women Writers of the Twentieth Century |
Prof. Nishat Zaidi |
2018 |
| |
Kajal Tehri |
Patriarchal and Nationalistic Rhetoric: Representation of Partition in Select South Asian Writers |
Dr. Asmat Jahan |
2018 |
| |
Asiya Zahoor |
Revisiting Representations: A Study of Select Writings by Kashmir Displaced Writers |
Prof Mukesh Ranjan |
2018 |
| |
Bharti Arora |
Writing Gender, Writing Nation: A Critical Study of Select Women's Fiction in Post-independence India |
Prof. Nishat Zaidi |
2017 |
| |
Sina Tavassoli |
Space as a Motif for Power and Identity in Selected Plays of Harold Pinter |
Prof. Baran Farooqi |
2017 |
| |
Sanjib Kumar Baishya |
Theatre and the Popular: A Study of the Bhramyamaan Theatre in Assam |
Prof M Asaduddin/ Prof. Simi Malhotra |
2017 |
| |
Rajesh Kumar |
History, Memory and Myth: A Study of Diasporic Constructions in the Poetry of A.K. Ramanujan |
Dr. Shuby Abidi / Prof. Anisur Rahman |
2017 |
| |
Debosmita Paul |
The First Partition of Bengal and the Problematic of Indian Nationalism: A Study of Select Bangla Writings (1905-1916) |
Prof. Nishat Zaidi |
2016 |
| |
Saman Ashfaq |
Communalism and Literature in Post-Independence India: A Study of Select Indian Novels in English |
Prof. Ameena Kazi Ansari |
2016 |
| |
Saroj Kumar Mahananda |
Works of Basudev Sunani: Oriya Dalit Historiography |
Prof. M. Asaduddin |
2016 |
| |
Darshan Lal |
Assertion of Dalit Identity in Dalit Fiction |
Prof. Mukesh Ranjan |
2016 |
| |
Deepti Zutshi |
Between Violence and Silence: A Study of Performance Aesthetics in Manipur |
Prof. Anuradha Ghosh |
2015 |
| |
Gitanjali Chawla |
From Roots to Routes: A Critical Study of Select Folk Songs of Punjab |
Prof. Simi Malhotra |
2015 |
| |
Kusha Sharma |
A Study of Nadine Gordimer’s Post-Apartheid Writings |
Prof. Baran Farooqi |
2015 |
| |
Sapna Dudeja Taluja |
After Postmodernism: Ethics, Virtuality and Politics |
Prof. Simi Malhotra |
2015 |
| |
Shatarupa Sinha |
Indian English Literature: A Critical Inquiry into Reading Strategies and Pedagogy |
Prof. Anisur Rahman |
2015 |
| |
Ved Parkash |
Dialectic Life and Art in the Works of Sylvia Plath |
Prof.Mukesh Ranjan |
2015 |
| |
Nirmalya Samanta |
Folklore as Visual Imaging: A Study of Legends of Childhoods of Krishna, Ganesh and Hanuman in Contemporary India (2000-2010) |
Prof.Anuradha Ghosh |
2014 |
| |
Sunil Kumar |
Aesthetics, Technology and the Self: Tracing the Theoretical Shift from the Frankfurt School to Postmodernism |
Prof. Simi Malhotra |
2014 |
| |
Urvashi Sabu |
Pakistani Women Poets: Literary Representation and the Dynamics of Religion, Politics, and Society |
Prof. Anisur Rahman |
2014 |
| |
Panchali Mukherjee |
Constructions of History: A Study of the Novels of A.S.P. Ayyar, Manohar Malgonkar and Bhagwan S. Gidwani |
Prof. Shyamala A. Narayan |
2012 |
| |
Asmat Jahan |
Reconstructing the Renaissance: A Critical Study of Robert Browning’s Dramatic Monologues |
Prof.Mukesh Ranjan |
2012 |
| |
Kinshuk Majumdar |
Subject to Rule: The Individual and the State in Amitav Ghosh’s Writings |
Prof. Shyamala A. Narayan |
2012 |
| |
Jayanti Seth |
Autobiography in the Age of Democratic Revolution: A Study with Special Reference to Benjamin Franklin and Jean Jacques Rousseau. |
ProfAmeena Kazi Ansari |
2011 |
| |
Ahmer Nadeem Anwer |
The Menace of Madness: Rationalisation, Franken-science, and the Eighteenth-Century Metaphoricity of Unreason |
Prof S N. H. Jafri |
2011 |
| |
Bhagwant Kour |
Women in Modern British Drama: A Study of Selected Plays of John Osborne, Arnold Wesker, Doris Lessing and Caryl Churchill |
Prof. S.N.H. Jafri |
2008 |
| |
Tasneem Shahnaaz |
A Critical Study of Adrienne Rich |
Prof. Anisur Rahman |
2005 |
| |
Payal Khanna |
Shifting Paradigms in Culture: A Study of Three Plays by JeanGenet: The Maids, The Balcony, The Blacks |
Prof Shymala Narayan |
2005 |
| |
Ayesha Irfan |
Quest for Black Identity and Self Definition in the Novels of Toni Morrison |
Prof M. Asaduddin |
2005 |
| |
Yahya Saleh Hasan Dahami |
Revival of Poetic Drama: T. S. Eliot’s Contribution to the Genre |
Prof. Anisur Rahman |
2004 |
| |
Baran Rehman |
Early Nineteenth Century Shakespeare Criticism and its Influence on Later Approaches. |
Prof. S. N. H. Jafri |
2002 |
| |
Jayita Sengupta |
Issue of History and Gender in the Novels of Toni Morrison, Michele Roberts and Anita Desai |
Prof. M. Asaduddin |
2002 |
| |
Ameena Qazi Ansari |
Canadian Literary Canon: Emergence and Development |
Prof. Anisur Rahman |
2002 |
